I had an hour to spare this week after finishing my paid work, so I painted in the negative space around what will soon become one of my phosphorescent neon drips.
31 October 2013
Negative Space
[WEDNESDAY 30 OCTOBER 2013]
I had an hour to spare this week after finishing my paid work, so I painted in the negative space around what will soon become one of my phosphorescent neon drips.
I realise this is going to make for painfully plodding progress if I continue werking at such a slow and irregular rate, which is why I am currently seeking a studio space in my native Brighton (or Hove to be exact). If anyone happens to read this that knows of such a holy grail being available in the near future, I'd like to hear from you.
I had an hour to spare this week after finishing my paid work, so I painted in the negative space around what will soon become one of my phosphorescent neon drips.
16 October 2013
Wednesday Painter: Slight Return
[WEDNESDAY 16 OCTOBER 2013]
I have returned. Slightly.
After paid work, I had 15 minutes to spare, and an itching* to get started with something new.
I lugged a canvas I had made some time ago out to the studio, and set about desecrating its pure white surface with a decorators brush and black ink.
And now I don't need to worry about 'blank canvas syndrome' when I return next time.
*the itching is related to the fact that I have won a painting prize and have been offered a solo exhibition in London. This has galvanised me to get back to the easel (I have barely painted since the commission I finished at Christmas). I feel a strange mixture of chomping at the bit, whilst simultaneously feeling a slight crises in confidence. But two things are clear: I must seize this opportunity; and I must find a studio space closer to home, to fit better with family life.
I have returned. Slightly.
After paid work, I had 15 minutes to spare, and an itching* to get started with something new.
I lugged a canvas I had made some time ago out to the studio, and set about desecrating its pure white surface with a decorators brush and black ink.
And now I don't need to worry about 'blank canvas syndrome' when I return next time.
*the itching is related to the fact that I have won a painting prize and have been offered a solo exhibition in London. This has galvanised me to get back to the easel (I have barely painted since the commission I finished at Christmas). I feel a strange mixture of chomping at the bit, whilst simultaneously feeling a slight crises in confidence. But two things are clear: I must seize this opportunity; and I must find a studio space closer to home, to fit better with family life.
8 October 2013
Wells Art Contemporary 2013
Yes, I know it is Tuesday, and I know I don't very often grace this corner of the internet these days, but there is news: One of my neon paintings has been selected for the Wells Art Contemporary 2013 exhibition.
Wells Art Contemporary 2013
11th – 19th October (open 10am-5pm)
Wells Museum,
8 Cathedral Green,
Wells, Somerset
BA5 2UE
I've not been idle by the way. You can read of my current non-painting exploits here: www.dominicbradnum.co.uk
Wells Art Contemporary 2013
11th – 19th October (open 10am-5pm)
Wells Museum,
8 Cathedral Green,
Wells, Somerset
BA5 2UE
 |
| Dominic Bradnum - Cry For Help 2 |
I've not been idle by the way. You can read of my current non-painting exploits here: www.dominicbradnum.co.uk
24 August 2012
where have you been Wednesday Painter?
Owing to various events and occurrences I've not been able to get to the studio over the past few weeks, and this looks likely to continue for a bit longer...
What I did find some time for was to photograph 3 canvases which have been selected for a forthcoming exhibition in Macclesfield (more on the exhibition here).
What I did find some time for was to photograph 3 canvases which have been selected for a forthcoming exhibition in Macclesfield (more on the exhibition here).
25 July 2012
the taste of solvents
[WEDNESDAY 25 JULY 2012]
Greetings dear readers, today is the hottest day of the year so far (now that mister sun has finally showed his face he really does mean business). The heat in the loft has been rising and has now become almost unbearable - a still, stifling HOT heat.
I was out and painting with great purpose this morning continuing progress with the '...RUGS&...' canvas: adding more rich, bright red, deep crimson and blackness, and daubing some verdant green into the background. Another step on the long road to completion.
Now that I've cleared the deck of 2 paintings, I feel I can crack on with some of those canvases that have lain around neglected for the past couple of months. Does anyone remember this behemoth seascape I sketched out? It's up on the wall and is getting some much needed attention. It's good to have something new to sink my teeth into.
...And so, on the hottest day of the year, I sat in my sweat-box of a loft with absolutely no ventilation and decided to do something quite rash. This, ladies and gentlemen is how to bugger up a painting in one quick and easy lesson.
And in a bid to rectify it, I concluded the only course of action would be to pour half a bottle of white spirit down it and scrub it all off. I spent the rest of the sweltering afternoon with a sweaty mask clamped over my face to stop me getting drunk on the fumes, and giving myself cross eyes painting all the tiny flowers back in.
It utterly reeks in there and it made my head swim as soon as I took that mask off. Out in the still, slightly fresher air, the taste of solvents lingers on the tip of my tongue.
Greetings dear readers, today is the hottest day of the year so far (now that mister sun has finally showed his face he really does mean business). The heat in the loft has been rising and has now become almost unbearable - a still, stifling HOT heat.
I was out and painting with great purpose this morning continuing progress with the '...RUGS&...' canvas: adding more rich, bright red, deep crimson and blackness, and daubing some verdant green into the background. Another step on the long road to completion.
Now that I've cleared the deck of 2 paintings, I feel I can crack on with some of those canvases that have lain around neglected for the past couple of months. Does anyone remember this behemoth seascape I sketched out? It's up on the wall and is getting some much needed attention. It's good to have something new to sink my teeth into.
...And so, on the hottest day of the year, I sat in my sweat-box of a loft with absolutely no ventilation and decided to do something quite rash. This, ladies and gentlemen is how to bugger up a painting in one quick and easy lesson.
And in a bid to rectify it, I concluded the only course of action would be to pour half a bottle of white spirit down it and scrub it all off. I spent the rest of the sweltering afternoon with a sweaty mask clamped over my face to stop me getting drunk on the fumes, and giving myself cross eyes painting all the tiny flowers back in.
It utterly reeks in there and it made my head swim as soon as I took that mask off. Out in the still, slightly fresher air, the taste of solvents lingers on the tip of my tongue.
18 July 2012
the keen eye of the Wednesday Painter
[WEDNESDAY 18 JULY 2012]
I had a couple of hours' paid work to fulfil this morning, but with this out of the way I set upon my first task: re-taking those photographs I took last week. The sky overhead is a blanket of silvery grey, so the light was right for some photos.
I am pleased to report that 'Home Sweet Home' still meets with my satisfaction, which gives me a number of choices of which canvas to werk on today. I've opted for the '...RUGS&...' deep red neon painting, which is in its early stages and will give me something to set my mind to. Just as soon as I have eaten lunch.
It is 2pm. Let the painting commence!
3 hours later, and to the untrained eye not much has changed. But to the keen eye of the Wednesday Painter the last traces of the original pencil sketch have been more or less covered over.
And now I must go, only 3 hours painting is better then 0 hours painting. And I will fit in a much longer session next week.
I had a couple of hours' paid work to fulfil this morning, but with this out of the way I set upon my first task: re-taking those photographs I took last week. The sky overhead is a blanket of silvery grey, so the light was right for some photos.
I am pleased to report that 'Home Sweet Home' still meets with my satisfaction, which gives me a number of choices of which canvas to werk on today. I've opted for the '...RUGS&...' deep red neon painting, which is in its early stages and will give me something to set my mind to. Just as soon as I have eaten lunch.
It is 2pm. Let the painting commence!
3 hours later, and to the untrained eye not much has changed. But to the keen eye of the Wednesday Painter the last traces of the original pencil sketch have been more or less covered over.
And now I must go, only 3 hours painting is better then 0 hours painting. And I will fit in a much longer session next week.
11 July 2012
a spring in my step
[WEDNESDAY 11 JULY 2012]
I spent much of this morning cursing the sunshine for visiting on the one day of this grey, wet and dreary summer on which I had decided to take some photographs. In the rare moments when a cloud drifted overhead I snapped off a few shots with varying degrees of success.
The photographs are for a batch of slides I plan to make in preparation for some new non-neon paintings.
Job more or less done, I returned to add (what will hopefully be) the finishing touches to 'Home Sweet Home': just a little extra deep red glow to counter the diminishing green effervescence and a lick of purest white to brighten key points to both colours of neon tube, and I think I am just about happy with it.
I walk with a spring in my step for the rest of the day and toil away at the big Le Corbusier canvas, darkening all the little windows and alcoves with some dirty, inky water, and wondering how I should go about speeding up and finishing construction werk.
I spent much of this morning cursing the sunshine for visiting on the one day of this grey, wet and dreary summer on which I had decided to take some photographs. In the rare moments when a cloud drifted overhead I snapped off a few shots with varying degrees of success.
The photographs are for a batch of slides I plan to make in preparation for some new non-neon paintings.
Job more or less done, I returned to add (what will hopefully be) the finishing touches to 'Home Sweet Home': just a little extra deep red glow to counter the diminishing green effervescence and a lick of purest white to brighten key points to both colours of neon tube, and I think I am just about happy with it.
I walk with a spring in my step for the rest of the day and toil away at the big Le Corbusier canvas, darkening all the little windows and alcoves with some dirty, inky water, and wondering how I should go about speeding up and finishing construction werk.
5 July 2012
existential ponderings
[THURSDAY 05 JULY 2012]
I've swapped shifts this week with the Thursday Painter. The Thursday Painter is a man of few words. He keeps a blog somewhere in a parallel cyberspace, and his confessions usually amount to very little. It would be nice to be able leave him to carry on with my paintings the day after I have done my Wednesday Painting shift, but every time I return a week later I see very little sign of progress. Sometimes I wonder if he's taking my werk a step backwards, or undoing all the hard graft I have achieved the day before...
Sometimes I wonder if it is healthy to mull all this over inside my head and then spill it out into this weekly journal. But I tell myself that it gives me an aim each week and some kind of benchmark of progress with my creative endeavours, so I continue.
I set out today to bring 'Home Sweet Home' a big step towards completion. The green neon rendering is still not to my satisfaction. All morning I was there, painting away, knocking back the extended glow and bringing in the darkness. I werked on every area of the green bordering and finished for lunch.
On my return I realise that all my werk has been in vain. I scrub out the morning's travails...
This time I'll get it right, I tell myself.
Hours later, I leave more or less satisfied, and hoping this will still be the case when I return next Wednesday.
I've swapped shifts this week with the Thursday Painter. The Thursday Painter is a man of few words. He keeps a blog somewhere in a parallel cyberspace, and his confessions usually amount to very little. It would be nice to be able leave him to carry on with my paintings the day after I have done my Wednesday Painting shift, but every time I return a week later I see very little sign of progress. Sometimes I wonder if he's taking my werk a step backwards, or undoing all the hard graft I have achieved the day before...
Sometimes I wonder if it is healthy to mull all this over inside my head and then spill it out into this weekly journal. But I tell myself that it gives me an aim each week and some kind of benchmark of progress with my creative endeavours, so I continue.
I set out today to bring 'Home Sweet Home' a big step towards completion. The green neon rendering is still not to my satisfaction. All morning I was there, painting away, knocking back the extended glow and bringing in the darkness. I werked on every area of the green bordering and finished for lunch.
On my return I realise that all my werk has been in vain. I scrub out the morning's travails...
This time I'll get it right, I tell myself.
Hours later, I leave more or less satisfied, and hoping this will still be the case when I return next Wednesday.
27 June 2012
the challenge
[WEDNESDAY 27 JUNE 2012]
I woke up this morning and I told myself "I will finish the morse code canvas today". This is my intention, and this is my challenge. I have a deadline to submit the painting for a competition this Sunday.
I begin in the loft, but very soon move the canvas outside, propped up on paint tins again. I flood the blackness with Phthalo blue straight from the tube, then lighten the glow where it should bounce back off the craggy crevice, using a soft brush to gently blend. I touch up the very edges of the crack with white to show the light glinting back off the rock. I dry brush a mid-to-light blue spilling out of the crack and leaking out onto the vertical rock surface. I take it too far on the top of the crack. I curse myself and take a break.
By the afternoon, threatened by rain, I have moved inside to the spare bedroom with the canvas stood on a box. I am in crisis. I have taken photos and looked at them on a computer to get a slightly different perspective. I find myself thinking I am not good enough to paint, that I should just give up. None of that thrill that I get when things are going well and the neon is singing to me. No, none of that. I sit and stare. I feel feverish with nervous energy, knowing that I need to get this finished today, and to my satisfaction. I drink a beer. Quickly... A decision: I turn the canvas upside down and knock back some of the over-exaggerated spilling glow with oil paint, charcoal, indian ink and water. Flip it back round and take another photo. It goes on like this until I feel I can do no more. Am I happy with it? I look back at the tiny dots and dashes of light: how about re-instating those little flares of light from each of them?
At some time just around 5pm I down tools. I cannot tell if it is good, but I need to take photos before the light goes. Maybe when I look at them tomorrow I will be happy with what I see, but for now I feel empty and just a little bereft. It has been a long day, and I leave the morse code canvas which shall henceforth be known as Cry For Help 2.
I woke up this morning and I told myself "I will finish the morse code canvas today". This is my intention, and this is my challenge. I have a deadline to submit the painting for a competition this Sunday.
I begin in the loft, but very soon move the canvas outside, propped up on paint tins again. I flood the blackness with Phthalo blue straight from the tube, then lighten the glow where it should bounce back off the craggy crevice, using a soft brush to gently blend. I touch up the very edges of the crack with white to show the light glinting back off the rock. I dry brush a mid-to-light blue spilling out of the crack and leaking out onto the vertical rock surface. I take it too far on the top of the crack. I curse myself and take a break.
By the afternoon, threatened by rain, I have moved inside to the spare bedroom with the canvas stood on a box. I am in crisis. I have taken photos and looked at them on a computer to get a slightly different perspective. I find myself thinking I am not good enough to paint, that I should just give up. None of that thrill that I get when things are going well and the neon is singing to me. No, none of that. I sit and stare. I feel feverish with nervous energy, knowing that I need to get this finished today, and to my satisfaction. I drink a beer. Quickly... A decision: I turn the canvas upside down and knock back some of the over-exaggerated spilling glow with oil paint, charcoal, indian ink and water. Flip it back round and take another photo. It goes on like this until I feel I can do no more. Am I happy with it? I look back at the tiny dots and dashes of light: how about re-instating those little flares of light from each of them?
At some time just around 5pm I down tools. I cannot tell if it is good, but I need to take photos before the light goes. Maybe when I look at them tomorrow I will be happy with what I see, but for now I feel empty and just a little bereft. It has been a long day, and I leave the morse code canvas which shall henceforth be known as Cry For Help 2.
20 June 2012
Be brave Wednesday Painter
[WEDNESDAY 20 JUNE 2012]
A short day, werking on the blue morse code canvas. It has taken me this long to realise the neon dots and dashes would benefit from being placed deeper in the dark recess. Essentially this will involve re-rendering the blue neon glow from the centre out. This is usually a long job, but I need to get it done today, as I'm planning to have this painting finished by the end of next week's session.
Time to take some risks and not be so precious over months of werk. Be brave Wednesday Painter, be brave...
I have found myself increasingly resorting to small sable brushes for the fine detail brushwerk around the pin-points of light. I hold my breath and try to steady my hand as I close in to make my mark. I find it too intense to werk for more than a few minutes at a time. I think I might scream.
I certainly prefer the broader, freer brush strokes I can make as the glow spreads out from the nucleus.
I leave it for lunch and some internet procrastination.
By around 3pm I am running short of time. I clean my brushes and hang the painting inside where it will get some light and hopefully be dry enough to werk on next week, when I plan to tackle the glow around the edges of the rock-face and hopefully get the bloody thing finished.
A short day, werking on the blue morse code canvas. It has taken me this long to realise the neon dots and dashes would benefit from being placed deeper in the dark recess. Essentially this will involve re-rendering the blue neon glow from the centre out. This is usually a long job, but I need to get it done today, as I'm planning to have this painting finished by the end of next week's session.
Time to take some risks and not be so precious over months of werk. Be brave Wednesday Painter, be brave...
I have found myself increasingly resorting to small sable brushes for the fine detail brushwerk around the pin-points of light. I hold my breath and try to steady my hand as I close in to make my mark. I find it too intense to werk for more than a few minutes at a time. I think I might scream.
I certainly prefer the broader, freer brush strokes I can make as the glow spreads out from the nucleus.
I leave it for lunch and some internet procrastination.
By around 3pm I am running short of time. I clean my brushes and hang the painting inside where it will get some light and hopefully be dry enough to werk on next week, when I plan to tackle the glow around the edges of the rock-face and hopefully get the bloody thing finished.
13 June 2012
THUD!
[WEDNESDAY 13 JUNE 2012]
Out in the studio and raring to go. I cracked straight on with the blue 'morse code' painting, determined to get the glow along the edges looking better, and to get the blackness looking deeper and darker. I ended up with it propped up on two paint tins against the garage door - giving me the opportunity to get some much needed distance from the canvas.
Things were going well and after adding a little glint of light to each of the dots and dashes, I retired up to the loft to clean my brushes.
And then THUD! I dropped everything and rushed down the ladder to find the canvas face down in the dust and dirt.
A minor clean up operation ensued, removing specks of dust and grit from the fresh paint - this isn't the first time this has happened, so you would think I would have already learned my lesson. But no, I curse myself and do my best to clean up what had been a pristine coating of paint. The painting is now safely on the wall in the house, hopefully away from any more dust and crud...
After lunch I gave my mind a bit of a wander with some Sub/conscious drawings. The result: more animals, clowns and speed demons spilling from my brain.
I need a change from painting neon, and with just an hour or so before I head home, I render the balconies on the Le Corbusier canvas in jolly shades of blue and yellow, as they are on the actual building.
Out in the studio and raring to go. I cracked straight on with the blue 'morse code' painting, determined to get the glow along the edges looking better, and to get the blackness looking deeper and darker. I ended up with it propped up on two paint tins against the garage door - giving me the opportunity to get some much needed distance from the canvas.
Things were going well and after adding a little glint of light to each of the dots and dashes, I retired up to the loft to clean my brushes.
And then THUD! I dropped everything and rushed down the ladder to find the canvas face down in the dust and dirt.
A minor clean up operation ensued, removing specks of dust and grit from the fresh paint - this isn't the first time this has happened, so you would think I would have already learned my lesson. But no, I curse myself and do my best to clean up what had been a pristine coating of paint. The painting is now safely on the wall in the house, hopefully away from any more dust and crud...
After lunch I gave my mind a bit of a wander with some Sub/conscious drawings. The result: more animals, clowns and speed demons spilling from my brain.
I need a change from painting neon, and with just an hour or so before I head home, I render the balconies on the Le Corbusier canvas in jolly shades of blue and yellow, as they are on the actual building.
7 June 2012
hasty actions
[THURSDAY 07 JUNE 2012]
I am a day late to the studio at her majesty's behest. Though even then I didn't take the full 2 days off to join in the Jubilee festivities/banalities. In fact I pretty much avoided it all as best I could.
To break myself back in this Thursday morning, I set to making another batch of 'Sub/conscious drawings'. The results left me baffled and bemused, and one particular drawing made me laugh out loud. Can you guess which one?
And now for my next trick! The blue 'morse code' is taken in hand and given some care and attention. I'm yearning to get this one finished in the next few weeks, so I'm in the mood to try certain hasty actions which will hopefully pay off. Today I smothered the darker areas of glow in Phthalo blue, and knocked back some areas where the light catches on the craggy rock-face.
Don't want to go too far, so I leave it there. And move on to the '...RUGS&...' canvas, to which I lay down a pale pink border to the letters and blend it inside and out. Mainly to rid it of any leftover and unwanted pencil marks from the initial sketch. Still time after this to block in a quick layer of deep and luxurious crimson red.
I leave a tired and satisfied Wednesday-cum-Thursday Painter.
I am a day late to the studio at her majesty's behest. Though even then I didn't take the full 2 days off to join in the Jubilee festivities/banalities. In fact I pretty much avoided it all as best I could.
To break myself back in this Thursday morning, I set to making another batch of 'Sub/conscious drawings'. The results left me baffled and bemused, and one particular drawing made me laugh out loud. Can you guess which one?
And now for my next trick! The blue 'morse code' is taken in hand and given some care and attention. I'm yearning to get this one finished in the next few weeks, so I'm in the mood to try certain hasty actions which will hopefully pay off. Today I smothered the darker areas of glow in Phthalo blue, and knocked back some areas where the light catches on the craggy rock-face.
Don't want to go too far, so I leave it there. And move on to the '...RUGS&...' canvas, to which I lay down a pale pink border to the letters and blend it inside and out. Mainly to rid it of any leftover and unwanted pencil marks from the initial sketch. Still time after this to block in a quick layer of deep and luxurious crimson red.
I leave a tired and satisfied Wednesday-cum-Thursday Painter.
30 May 2012
The painter's progress
[WEDNESDAY 30 MAY 2012]
Today I have been a good Wednesday Painter and werked all the way through until 5.30pm, and didn't go on the computer once.
I headed for the garret with a real sense of purpose this morning, and set about tackling the old 'rock face/blue morse code' canvas, concentrating on the edges of the crack and knocking back the leaking blue glow. I threw many things at it including chalk, charcoal, ink, oil paint, and dirty water, with fingers, knuckles, household paint brushes, artists' paint brushes, and even a toothbrush.
After lunch, I returned to deal with 'Home Sweet Home', blackening the background void and lessening the green glow, then allowing the deeper, darker reds to spread outwards. I also touched up that troublesome area betwixt the orange neon heart and the ends of the green neon borders.
NEXT! While I still had time, I brought out the '&RUGS' canvas and swiped some lamp black around the edges of the red glow, then blended it in with various shades of luscious Crimson and Red.
Today was a good day, and the painter's progress continues.
Today I have been a good Wednesday Painter and werked all the way through until 5.30pm, and didn't go on the computer once.
I headed for the garret with a real sense of purpose this morning, and set about tackling the old 'rock face/blue morse code' canvas, concentrating on the edges of the crack and knocking back the leaking blue glow. I threw many things at it including chalk, charcoal, ink, oil paint, and dirty water, with fingers, knuckles, household paint brushes, artists' paint brushes, and even a toothbrush.
After lunch, I returned to deal with 'Home Sweet Home', blackening the background void and lessening the green glow, then allowing the deeper, darker reds to spread outwards. I also touched up that troublesome area betwixt the orange neon heart and the ends of the green neon borders.
NEXT! While I still had time, I brought out the '&RUGS' canvas and swiped some lamp black around the edges of the red glow, then blended it in with various shades of luscious Crimson and Red.
Today was a good day, and the painter's progress continues.
23 May 2012
let out a scream/let off steam
[WEDNESDAY 23 MAY 2012]
Last week I went to Paris to see a neon exhibition, and so I did not partake in any Wednesday Painting. So it follows that I was itching to get back to the studio this morning.
It is now 5.26pm and since 9.30 this morning I have been mostly painting the '...RUGS&...' canvas, with regular breaks to let out a scream/let off steam when the intricate brushwerk all got too much.
I am pleased to report spring has finally arrived, or maybe we have just skipped straight to summer. On Monday I was still working in thermal underwear, today it has been hot and humid, and I'm almost expecting a storm to hit as I attempt to cycle to the station as I make my way homewards.
As a distraction from that intense brushwerk, I trundled down the shed and completed three 'Sub/conscious' drawings. I am very often amused and baffled as to where such imagery comes from, but then I conclude that it's all somewhere up there inside my head just waiting to spill out. This is what spilled out today.
Last week I went to Paris to see a neon exhibition, and so I did not partake in any Wednesday Painting. So it follows that I was itching to get back to the studio this morning.
It is now 5.26pm and since 9.30 this morning I have been mostly painting the '...RUGS&...' canvas, with regular breaks to let out a scream/let off steam when the intricate brushwerk all got too much.
I am pleased to report spring has finally arrived, or maybe we have just skipped straight to summer. On Monday I was still working in thermal underwear, today it has been hot and humid, and I'm almost expecting a storm to hit as I attempt to cycle to the station as I make my way homewards.
As a distraction from that intense brushwerk, I trundled down the shed and completed three 'Sub/conscious' drawings. I am very often amused and baffled as to where such imagery comes from, but then I conclude that it's all somewhere up there inside my head just waiting to spill out. This is what spilled out today.
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